2005.04.18

www.glowlab.com

Glowlab_logo_3Looks like we've had a little problem with our re-directs...our new site launched in mid-March, and is at www.glowlab.com. Cheers ~

Posted by Glowlab in glowlab info | Permalink | Comments (0) | TrackBack

2005.03.17

new Glowlab site

After several months of work on the new Glowlab site, we're about to launch it. Just a few more tweaks here and there and you'll see a brand new site, maybe tomorrow or in the next few days...we can't wait to show it to you!

Posted by Glowlab in glowlab info | Permalink | Comments (1) | TrackBack

2005.01.23

GLOWLAB's new site

Glowlab_logo_125px_1 Dear friends of Glowlab,

As some of you may know, we've been working behind the scenes for the past several months to build ourselves a brand new website. We're excited to announce that beginning in mid-March, Glowlab will be published in the form of a bi-monthly web-based magazine for psychogeographic projects. Our regular members and guest contributors are getting set to bring you fresh psychogeographic adventures in the form of performances, walks, interventions, multimedia/tech-based work and more. Project documentation and related articles will be published in every issue, and we'll offer a running calendar of offline events for public participation. Each issue's publication will be accompanied by a Glowlounge event in NYC where contributors will present their projects in an informal setting. The Glowlab website will also include a news blog and an online forum to discuss psychogeography.

Many of you have written to ask about our annual psychogeography festival, the Conflux. Because our focus right now is on bringing you a great website, we've decided to team up with our friends in Providence this year who are holding their second annual "Provflux." Partly inspired by the Conflux, this is a similar weekend-long event bringing together psychogeographers from around the world. The dates are May 13-15 27-29, and we encourage you to get involved. For questions about participating, please contact John J McGurk: alobswitt [at] gmail.com. The Glowlab crew will be there, and we'll present projects and events related to our second issue which we've titled "ADJACENT" in the spirit of a collaborative effort with the Providence folks. We look forward to seeing old friends and making new ones in May.

We've built a great group of core Glowlab members over the past couple years, and on behalf of all of them I'd like to say thank you for supporting us. We can't wait to bring you our first issue in March, titled "STRANGER."

-- Christina Ray


p.s. please note:

- Until we switch over to the new site in March, we won't be adding any new content to our regular sections, only the news. You'll notice that the image links under "contents" are dimmed; however, you can still read the archived articles there.

Posted by Glowlab in glowlab info | Permalink | Comments (29) | TrackBack

2004.06.26

new on Glowlab

Holly Tavel brings us another installment of The Psychogeographer's Film Guide in the journal, and we've just posted notes on our most recent Glowlounge.

Posted by Glowlab in glowlab info | Permalink | Comments (1) | TrackBack

2004.01.03

An introduction from Providence

Working publicly, privately, actively and passively...

I thought it might be a good idea to let everyone know basically what I'm up to. Between working in Providence and New York I also juggle working with large collaborative groups and working individually. I'm very adamant about addressing the audience of the piece so as to find a sort of highway of communication between people of all disciplines.

I have been working in Providence for the past 18 months with an artists' collective called "PIPS", the Providence Initiative for Psychogeographic Studies, to explore issues of psychogeography through our work. Started two years ago by JohnJ McGurk, David Allyn and Meredith Younger, the group has grown to include myself and others, bringing the headcount to 10. PIPS welcomes new people and ideas to keep dialogue about art alive. A few of the pieces PIPS has created are social sculptures such as the Yellow Bike Project to the Urban Agricultural Unit. JohnJ McGurk and I performed Untitled (Nomadic Caf) at the 2003 Psy.Geo.Conflux in front of ABC NoRio. Christina Ray documented the performance here. For more information visit www.gaberator-mac.tk.

PIPS has completed several additional projects in the past six months. "Density" is a piece we created to work with kids from New York City, who helped us make an earthfire kiln and 5000 ceramic figures. As part of a show called "Campsite" in Beacon, NY, we synthesized a Buckminster-Fuller map and a map of the campground where we lived for the summer. The result was a population density map that represented the 20 most populated cities in the world. Viewers of the show became participants when they took a map and walked around the campsite (which was about 12 acres) to visit all the major cities of the world.

On my own I have been pretty busy, as well. I have been studying popular culture and its effect on people's response to my artwork. I began this study with a few sculpture sketches that were more like psychology tests. I would put a pile of toys on a table in a gallery and a stack of questionnaires on a table next to the toys. The gallery-goers were instructed to take a question sheet and a toy. The question sheet was a 12-question multiple-choice answer sheet that guided the participant around the outside of the gallery. It had mixed results ranging from people not participating at all to people taking a handful of toys without taking a question sheet. Interestingly enough, very few people followed the given commands on the sheet as to where to drop off the toys, but the toys were found together in amusing configurations elsewhere. I think it shows a certain amount of control that the viewer demands from art works, no matter what the scenario. As for now, I am digesting these findings while throwing myself in a crash course about art and culture.

Currently I am reading theory about art and culture including:

Linda Weintraub, Art on the Edge and Over: Searching for Art's Meaning in Contemporary Society 1970s-1990s
Kristine Stiles, Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings

In addition to studying popular culture for my own body of work and being involved with Glowlab, I am interning for Vito Acconci at Acconci Studios in Brooklyn. Vito has been a big influence upon me as a developing sculptor and performer, so I am pretty excited about what's to come in the next few weeks.

If anyone want so to get in touch with me e-mail me at lloyd@glowlab.com or visit my website.



Finally, Id like to share a really cool show I just went to in Pittsburgh, PA where I grew up. The show is in Wood Street Galleries and is called Replay. Digital art as well as psychogeography are shown in one of the most contemporary art galleries in Pittsburgh, showing an increase in the number of artists delving into this arena. Blast Theory had documentation of Uncle Roy, which I think everyone on the Glowlab site should check out.

Rafael Lozano-Hemmer spiece Amodal Suspension makes use of technology and geography in a way that non-geographers can access. He is making use of cell phone capability to send text messages whereby he is taking the signals from the text messages and converting them into patterns of flashing searchlights in the sky, turning the Japanese city of Yamaguchi into a giant communication switchboard. People in Pittsburgh could send text messages to control the lights in Japan. Actually, I didnt really understand how cool it was until I was on the T (Pittsburgh equivalent to the subway) reading the gallery pamphlet. So, I would say that the display of the piece was not as clear as it could have been.

Golan Levins piece Floccus makes use of interactive digital media to make the participant feel as if they are actually creating something new. Although I wasnt totally convinced that I wasnt just playing with a program that had a limited number of variances for original display, the presentation was slick because it was in a little corner off to the side. You could really get lost in your own little psychedelic patterns and noises, which is probably the intent of the piece.


-- J. Gabriel Lloyd

Posted by Gabe in Current Affairs, glowlab info | Permalink | Comments (0) | TrackBack

2004.01.01

Glowlab welcomes new member J. Gabriel Lloyd

As we break in the new year, Glowlab is happy to welcome a new member, J. Gabriel Lloyd, who will be contributing both to the website and to the development of Glowlab and Psy.Geo.Conflux.

Gabe is an artist living in Providence, RI currently working within the realm of psychogeography and popular culture. Awareness of the interaction between the viewer and the piece is a consistent theme in Gabe's work. His medium varies from conceptual performance to traditional sculpture, with the intention, as he describes, "of exploiting the difference between what an artist knows and what a non-artist knows. For example, how does someone who has an educated art background respond to the work, versus the response by someone of a different educated, or non-educated background?"

When Gabe isn't busy with his own work he collaborates with a group of artists called PIPS, the Providence Initiative for Psychogeographic Studies. You can view his work and the work of PIPS at gaberator-mac.tk.

Gabe will be a frequent contributor to this news blog; if you have psychogeography-related news or announcements, contact Gabe at lloyd@glowlab.com.

Posted by Glowlab in glowlab info | Permalink | Comments (0) | TrackBack

2003.07.09

Testing a new format for Glowlab

We're beta-testing Typepad as a possible new platform for the site. Some past features may not be available as we rebuild, but do let us know what of you think of the new Glowlab...
Cheers-

Posted by Glowlab in glowlab info | Permalink | Comments (5) | TrackBack