psy.geo.CONFLUX

Melissa Ulto/VJ Miixxy

project title
Was * Is * Becoming: Video Performance

project description
Video explored as a walking and performing medium. Site specific video capture based on the concepts of psychogeography, mixed in live with on-site video. Major texts of psychogeography will be referenced in the projections.

Performance will be at the psy.geo.conflux closing party at the Bowery Poetry Club.

name
Melissa Ulto/VJ Miixxy

location
New York, NY

profile
Melissa Ulto is an interdisciplinary artist who utilizes modern and traditional mediums to create her works. Melissa currently resides in New York, working professionally as a digital video specialist, filmmaker, VJ and artist, and continues to pursue her work with her online exhibit, ...unMade Movie... (http://unmade.thecataract.com), as well as her arts and experimental sites, http://www.thecataract.com and http://www.multo.com. She recently showed her work in New York, Chicago Toronto and Russia.

Melissa performs as 'VJ miixxy' at clubs, events and festivals in New York and across the country. Currently the resident VJ at Spirit, she also performs regularly with EyeWash and F:T:H. She runs the women's multimedia performance event, Jezebel at Galapagos. Her video performance work ranges from nightclub environments, live events, concerts and the theater.

links
http://www.multo.com
http://www.miixxy.com
http://www.thecataract.com

contact

Jessica Thompson

project title
Walking Machine

project description
walking machine is a portable sound piece designed to enable wearers to move through urban areas hearing the amplified sound of their own footsteps in real time. Each unit consists of lapel microphones modified to clip to low-cut shoes, a mini amplifier and a set of headphones.

The piece will be presented several times throughout the four-day period in different areas of Manhattan, weather permitting, for up to 6 people at one time. Participants will join the artist at point A, borrow a machine in exchange for a piece of identification (to ensure that the machine is returned) and wear the machine to travel to point B in a self-determined route. The shortest length of time from A to B will be approximately 30 minutes and the artist will meet participants at point B to engage in discussion.

name
Jessica Thompson

location
Toronto, Ontario, Canada

profile
Jessica Thompson's studio practice consists of video, video installations and audio pieces that involve the re-articulation of the moment or glance through investigative play into the mechanics of recording. Her pieces explore parallels between physical location, psychological space, game playing and public performance by placing the viewer in a context which allows for a heightened state of perceptual awareness. Her work has been shown in Toronto and Chicago.

contact

Michelle Teran

CANCELLED

Opsound

project title
OP.MIX.PARTY: A SONIC AND OPTIC CITY MIX AT THE PSY.GEO.CONFLUX

project description
Taking as it's motto Guy Debord's statement that "They new type of beauty can only be a beauty of situations," op.mix.party closes out this year's psy.geo.conflux with a lineup of bands and djs employing situationist strategies in the service of a great party.

Performing live will be Opsound's catalpa catalpa, in from Cincinnati with their sample damaged, feedback drenched, candy colored post-pop; dj north guinea hills fresh from recent appearances as part of the New Sound, New York festival; low-watt fuzz pop band Pantsburg with Candy Sue Ellison on bass Matthew Lusk on guitar and Aaron Wexler on guitar and drums; tadpole flaneur exploring critical geography in audio form with Tianna Kennedy, Jessica Pavone, and Kevin Shea; and Weapons of Mass Destruction, Opsound's guitar and laptop band making soundscapes out of field recordings, audio detritus, and blasted open pop covers. Throughout the evening Melissa Ulto/VJ Miixxy will create a live video enviroment that mixes city images and psychogeographical texts with on-site live feeds.

Opsound is sponsoring op.mix.party as part of its New York events project, and will be hosting the party along with fellow organizers Sharilyn Neidhardt, Melissa Ulto, and Tianna Kennedy.

for complete party lineup, see op.mix.party lineup

name
Opsound :: Sal Randolph

location
Brooklyn, New York

profile
Opsound is an experimental record label. It is a kind of laboratory for looking at how artists can release music in a manner synergistic with the internet's capacity to encourage communication and sharing. Opsound explores the possibilities of developing a gift economy among musicians, borrowing from the model of the open source software community.

Anyone is invited to contribute their sounds to the open pool using a copyleft license (the Creative Commons Attribution-ShareAlike license). Work in the open pool is available to be listened to, reconfigured, recombined & remixed, and also released by Opsound (and other) microlabels both on the internet and in the physical world.

Opsound is headquartered in New York, and is a project of artist Sal Randolph. It is one of a series of artworks exploring the idea of social architecture as an art form. Opsound has a sibling project, Opcopy -- other recent projects include Free Manifesta, The Free Biennial, and Free Words.

links
www.opsound.org
opcopy
Creative Commons
Sal Randolph

contact

Noriyuki Fujimura

project title
Footprint Mapping

project description
"Footprint mapping" is an attempt to create a digital map of streets and public spaces by gathering "footprints" of participants of the project.

The artist creates DIY style digital mapping system consists of cheap pedometer (step meter), digital compass, micro processor, web cam and laptop computer. All the system will be set on a custom made backpack so that one of the participants can try this.

The map will be made from the information gathered from pedometer (step meter) to measure the distance by counting steps, digital compass to find directions for every single step, web cam which will be installed above of the person and look down to take digital photographs of surroundings for each step. Laptop computer generates dynamic collage of photographs in real time and show it on the participant's back.

Participants can go anywhere includes inside of building, subway, etc. unless the memory of laptop is filled with photographs or battery is run out. End of each day, the artist try to gather each participant's footprint map into single digital collage. Then other participants may find he/she is walking on somebody's footprint.

The result and process of mapping will be documented and updated on website and/or at Participant Inc., where each mapping tour will start.

name
Noriyuki Fujimura

location
Pittsburgh, Pennsylvania

profile
We are in era of progressive technology and confusion of urban environment. For a longtime now, artists have been trying to work on the problem outside of museums (so-called "Public Art"). And it is easy to find huge modern sculptures in public plazas of any city in the world. But those sculptures no longer have the power which they had before. How do we design urban spaces using the power and potential of art?

Noriyuki Fujimura is trying to adopt interactive art into public/urban space to explore what the future of public/urban space is.

"Remote Furniture"(1999) is an artwork consisting of computer-controlled chair objects inspired by our everyday life. A pair of rocking chairs creates tactile communication between two members of the audience. He has shown this artwork during the past three years in various public spaces around Tokyo, where it always creates unexpected encounters between passersby.

"World/World"(2001) is his recent artwork in collaboration with Nodoka UI, who researches and creates water fountains. This artwork is also computer controlled and networked to the other side of the earth. Audiences in two remote places can communicate with a movable pole that appears to pass through the earth. The aim of this artwork is to create shared experience through physical objects even between different countries, languages and cultures. This artwork was partly realized in the fall of 2001, between "The Virtual Mine Project" in Neunkirchen, Germany and The Museum of Tokyo National University of Fine Arts and Music in Tokyo, Japan.

Fujimura's past work and projects were presented of the "CAST01 -Living in Mixed Reality-" conference in Bonn, Germany, in October, 2001, and published in the conference proceedings in a paper titled "Public Communication Sculpture".

links
http://www.andrew.cmu.edu/user/noriyuki
http://www.andrew.cmu.edu/user/noriyuki/artworks/footprints/index.html
http://www.andrew.cmu.edu/user/noriyuki/artworks/world-world/index.html
http://www.andrew.cmu.edu/user/noriyuki/documents/cast01.pdf

contact

Free103point9: Alexis Bhagat, Matt Bua, Tianna Kennedy, Matt Mikas, Michelle Nagai, Tom Roe

project name
SOUS LES PAVÉS, LA RADIO!, EC(h)OLOCATOR, BANDSHELL GHOST, OF THE BRIDGE, RADIO LAB

project description
SOUS LES PAVÉS, LA RADIO! will be a collaboration between Brooklyn Information Outreach Network (BION), free103point9.org, and local sound artists, which will culminate in three site-specific transmission events.

EC(h)OLOCATOR will be a four-day project during which composer Michelle Nagai will invite participants, whether casual passerby, temporary listeners or artists involved directly in the project, to join her for soundwalks, field recording derives and Deep Listening exercises, throughout the four-day period. These recordings will provide the sound material for her radio broadcast and live performance to be held the final day of the Conflux.

BANDSHELL GHOST will be organized by sound artist, Lex Bhagat. This project addresses the question: Can a building have a ghost? For this radiophonic haunting, Bhagat will create a 3-4 hour wandering collage of interviews, sound culled from documentaries about the Tompkins Square riots and park renovations, and archival sound from concerts. BION will broadcast the collage from a nearby transmission location. The Ghost will be a radio-body composed of several receivers occupying the location where the Bandshell once stood. Bandshell Ghost will be produced in cooperation with neuroTransmitter.

OF THE BRIDGE will be performed by Matt Bua, Matt Mikas, Tom Roe and the Williamsburg Bridge, all of whom live and work next to, or are, the Williamsburg Bridge. The performance will combine found sounds from around the bridge and contact mics on the bridge to embellish its own unique soundscape. The trio produced an LP/CD called "Of The Bridge" that received NYSCA distribution funding.

In conjunction with SOUS LES PAVÉS, LA RADIO!, on the first day of the Conflux nonprofit transmission arts organization free103point9 will host a RADIO LAB workshop addressing transmission as a creative medium, how transmitters work, and the history of broadcasting. Participants will learn about government regulations and prohibitions, the history of pre-regulated radio and unlicensed uses, and will discuss issues such as access to the airwaves and discuss radio's agitprop history and its relationship to the Situationist roots of psychogeography.

name
free103point9, BION, Alexis Bhagat, Matt Bua, Tianna Kennedy, Matt Mikas, Michelle Nagai, Tom Roe

location
Brooklyn, New York

profile
free103point9 is a 501(c)(3) nonprofit media arts organization focused on establishing and cultivating the genre Transmission Arts by promoting artists who explore ideas around transmission as a medium for creative expression including investigations in AM and FM radio, Citizen's Band, walkie talkie, generative sound, and other broad and microcasting technologies. free103point9 serves diverse public audiences through programs including an online radio station, a distribution label, performance/ exhibition/ transmission series, an education initiative, and a preservation program. Founded in 1997 as a microcasting collective, free103point9's goals during theformative years were focused on the microradio movement fight for the public access to its own airwaves. free103's mobile operations made airtime available to community voices, local bands, and most significantly to a group of under-served artists shaping conceptual works specifically for radio transmission.

BION (Brooklyn Information Outreach Network) is a loose confederacy of low wattage broadcast and webcast enthusiasts currently simulcasting musical and other sound events throughout North Brooklyn. BION will provide all necessary equipment for broadcasting and reception of SOUS LES PAVS, LA RADIO! as well as personnel and space, as needed.

Michelle Nagai is an electroacoustic composer, performance artist and improviser whose interdisciplinary approach utilizes a myriad of physical and aural elements in the creation of site-specific performances, radio broadcasts and installations. Ideas grounded in the theories and practices of acoustic ecology, cultural geography, Deep Listening and expressive therapy play a large role in shaping her creative activities. Her work has been presented throughout New York City, New England and Canada and has been supported by Meet the Composer, the Jerome Foundation and the American Composers Forum. Nagai has facilitated workshops in listening practice, multimedia performance, improvisation and costume design and has recently joined the executive board of the American Society for Acoustic Ecology, a new US affiliate to the World Forum for Acoustic Ecology.
www.treetheater.org

Alexis (Lex) Bhagat is an artist and writer living in New York City. He lived in Loisaida from 1988 until 1995, and would still live on that sacred albeit man-made earth if not for the rent. He is editor of the zine, Tactical Sound, and is co-editor, with Gregory Gangemi and Jason Quarles of Sound Generation: Recording - Tradition - Politics, a collection of interviews with 21 contemporary sound artists. He speaks and writes on anarchism, prisons and sound art. Notable projects include: ATM Poetry Opens (1994), Vehicle for Conversation (1999-2001), and Whitman Death Songs (2002.)

neuroTransmitter, founded in 2001, is a radio collaborative utilizing analog communication technologies. Working specifically with radio machinations, neuroTransmitter propels signals through urban membranes and cellular formations. To complement their fixed and mobile frequency performances, nT creates radio-sonic installations, produces music, and converts utilitarian objects into radio transmission and receiving devices. neuroTransmitter has created visual works, performed, and broadcasted live on local bandwiths in public spaces and galleries throughout New York City; Columbus, Ohio; Helsinki, Finland; Aarhus, Denmark; and Madrid, Spain. nT is currently a collaborative-in-residence with the research and development program at Eyebeam Atelier, NYC.

Tianna Kennedy's work explores lo-fi/neglected sounds in the form of field and home/band-practice recordings. The daughter of a Geographer and Grandaughter of a Hobo and a bit of a wanderer herself, Tianna is fascinated with all things transient. In addition to pimpin' her cello, Tianna is a founding member of BION and Special Events Coordinator for Free 103.9, currently working on her MA in Performance Studies at NYU.

OF THE BRIDGE
A collaboration between three sound artists who live and work next to the Williamsburg Bridge. Bua, Mikas and Roe use found sounds from the Williamsburg Bridge, with sounds of their own creation and samples from Sonny Rollins' "The Bridge" song. (Rollins woodshedded on top of the Williamsburg Bridge in 1961 and then released his heady "The Bridge" album.) "Of The Bridge" is both a CD-R (with Quicktime movie) and a vinyl LP with lock-groove elements.

Matt Bua's The Suitcase Orchestra is a self contained, partly/fully automated sound creator which uses precariously prepared instruments, animal talk, electronics, and motors.

free103point9 Operations Manager Matt Mikas is a sound artist with a history of involvement with microradio, nightclub entertainment, and museum exhibition. A sonic anthropologist, Mikas uses turntables alternately as a historian and performer. In January 2000 he curated the sound program for Dave Hickeys "Ultralounge" at the University of South Florida Contemporary Art Museum in Tampa and Tune(In))) (2003), a one-night installation featuring over sixty sound artists performing live into six radio transmitters. Of The Bridge, a collaboration with Matt Bua and Tom Roe, premiered in Brooklyn! (2001) at the Palm Beach Institute of Contemporary Art. Mikass current project "Interactive Audio Response Kit" is a musical composition and listening tool created for two identical LPs. He has spoken on independent media actions at the Grass Roots Radio Conference, the New York Poetry Project, among others.

Tom Roe is a sound artist sometimes known as DJ Dizzy. He co-founded microradio stations 87X in Tampa, FL and free103point9 in Brooklyn, NY. Roe performs with transmitters using multiple bands (FM, CB, walkie-talkie), as well as prepared CDs, vinyl records, and various electronics. He has also written about music for The Wire, Signal to Noise, and The New York Post, among others. Roes writing about Free Jazz in New York recently appeared in The Wires 20th Anniversary publication "Undercurrents" (Continuum). His collaboration with Matt Bua and Matt Mikas, Of The Bridge, premiered in Brooklyn! (2001) at the Palm Beach Institute of Contemporary Art. Roe has also spoken on panels for Fairness and Accuracy in Media, the Grassroots Radio Conference, and Anarchist Forum.

links
free103point9
www.screwmusicforever.com/free103/pastevents.html
www.officeops.org/?D=media_station
hemi.nyu.edu/eng/newsletter/issue6/pages/students.shtml

contact

Kabir Carter

project title
Walking in the City (or Elsewhere), Sounds Are Heard and Recorded Without Employing the Subjective and Limiting Filter of Conventional, Transducer Based Sound Recording Technology

project description
Walking in the City is a blog in which I will contribute a series of log entries describing acoustic events and phenomena that I selectively audit in New York City. Others are welcome to make additional contributions online. A set time and meeting place can be decided upon and individuals can travel alone or in groups as they audit and log sounds. I plan on employing either a wireless messaging device to moblog or update the log "on the street," or I will send updates from a variety of online link points throughout the city. Others may moblog by entering updates from remote locations (moblogging, wifi, rental computers, libraries, etc.). It is my hope that a stream of logs, descriptions, and accounts of sounds and acoustic events will be generated. Printouts of the accumulated logs and descriptions will be posted at Participant Inc.

My ongoing blog effects is a "log" as understood in radio and film/video production, where all sounds that have been recorded are transcribed and described as part of a script. Voices, specific sounds (or sound effects), and ambient sound can all be included as log entries. Over time, the log becomes an accumulation of interior and exterior sounds that I (and perhaps others) isolate, audit, and somehow examine through the act of writing. Wandering around the city, one can attempt to analyze the poetics and psychoacoustics of sound events without employing the subjective and limiting filter of conventional, transducer based sound recording technology.

name
Kabir Carter

location
New York, New York

profile
Kabir Carter lives and works in New York City and has studied electroacoustic composition with David Behrman and Richard Teitelbaum at Bard College. He also studies privately with composer and performer Joan La Barbara and was recently selected by Robert Ashley to attend a composers' residency at Atlantic Center for the Arts.

Kabir's work focuses on urban environmental sound, acoustic feedback, analog sound synthesis, transmissive acoustics, specialized microphone technologies, and the presentation of live electroacoustic work in public spaces. He has begun presenting Walking in the City in various incarnations, the first one being for the Miami based music festival Subtropics. He has also realized Shared Frequencies, a public art project in New York City that combines two-way radio and other acoustic transmissions with analog signal modification as part of a mobile electroacoustic studio.

links
www.livejournal.com/users/effects
effects.blogs.com/b_m_d/walking_in_the_city/index.html
effects.blogs.com/subtropics/

contact

Julian Bleecker

project title
WiFiKu

project description
The proliferation of pockets of WiFi 802.11 activity has created a world of barely visible lexical whimsy. I am referring to the SSID names that people must assign to their WiFi nodes. These names are ripe fruit for Psychogeographic exploration, exploitation, and map making.

Where I sit writing this email I see the names of three WiFi nodes from my AirPort control panel: "gina-network -- piss off"; "jeppyland"; "my girlfriend can snowboard". Individually they are ambiguous nuggets that might start a longer narrative, one that investest anonymous, invisible radio waves with a lived quality that is about some living, breathing experiences.

For Psy.Geo.Conflux I will lead a drift of some New York City neighborhoods. Our tour will be of the names people give to their WiFi nodes, and we will be constructing haiku using the SSID names that we find on our ramble.

Each haiku will be composed once 17 syllables have been gathered. Since WiFi nodes can bleed into each other, the order in which we find the nodes, or in which they are listed by our software, won't be considered. It is only sufficient that we gather enough SSID names containing in total 17 syllables to construct a haiku. From this pool of names, we may order them as we see fit. SSID names must remain whole, though; it is a violation to break a name up. If a name contains too many syllables to complete the current haiku, it will be used for the next haiku and another SSID name in the area must be found to make the current haiku complete.

Once a haiku is properly formed, we will mark on a street map the area in which we walked in order to gather the necessary syllables for the haiku. We will then begin to construct the next haiku, and so forth.

At the end of our drift, we will have a map of haiku authored anonymously and unwittingly by the WiFi denizens of New York City. It is my goal to produce from this a well-designed map that marks geographic space with the sentiment and sensibility of the haikus that we harvest as we go along our walk.

name
Julian Bleecker

location
New York, New York

profile
Julian Bleecker has long been involved in technology design, both the development work involved in building mobile and networked systems, and in his work to produce provocative human-machine entanglements.

As an art technologist, he is involved in several projects. PDPal, a collaboration with Marina Zurkow and Scott Paterson, is a psychogeography mapping project for the web and Palm PDA devices that allows maps to be created and shared based on experiential coordinates rather than the conventional coordinates of latitude/longitude and street addresses. PDPal is installed in the Minneapolis Sculpture Garden at the Walker Art Center, and Times Square in New York City. Another of his collaborations with Zurkow is Pussy Weevil, a reactive screen-based character that responds to the actions of its audience. Pussy Weevil is a Tex Avery inspired character that is evocative of the sometimes puerile threats of a misbehaving house pet. This project has been installed in New York City and Cambridge, MA, and is currently installed at the American Museum of the Moving Image. He is an Engineer-in-Residence at Eyebeam Atelier, where he is producing a toolkit of WiFi technology specifically designed for art-technology projects.

He is also a professional technology consultant, providing expertise in implementation and concept development for networked, wireless, and mobile systems for MTV and VH1.

He is on the faculty of the Design and Technology Department at Parsons School of Design and writes and lectures on technology and culture. He has a BS in Electrical Engineering from Cornell University, and an MS in Engineering (Computer-Human Interaction) from the University of Washington, Seattle. He is a doctoral candidate at the University of California, Santa Cruz's History of Consciousness Board of Studies. His dissertation concerns the meaning-making apparatus of technology as culture.

links
www.techkwondo.com
www.fatdonut.com

contact

Laurel Beckman

project title
FLOTSPOT

project description
FLOTSPOT
Flicker Occasioned Trance Spot
a project dispersed

The human flicker fusion threshold is gauged at 16 Hertz (cycles per second): The observer can visually perceive the pulsation of light occurring 16 times per second or less. Carefully observed light flicker encourages human brainwave (hz) synchronization rates for Deep Relaxation (Alpha 8-13 hz), Semi-consciousness (Theta 4-7 hz), and Deep Unconsciousness (Delta .5-3.5 hz).

FLOTSPOT asks participants to place stickers at locations where light flicker is observed, such as a malfunctioning light bulb, occasioning an opportunity for individual or group trance states. FLOTSPOT enables individuals to mark the sites of their own trance experiences while inviting those who see the stickers to obtain their own semi-conscious states. It is hoped that the public display of FLOTSPOT stickers will suggest the viability and productivity of collective trance states.

name
Laurel Beckman

location
Carpinteria, California

profile
SELECTED EXHIBITIONS, PRINT AND ELECTRONIC PUBLISHING

2004-5
Day Tripper- Gold Coast, solo exhibition, Contemporary Arts Forum, Santa Barbara, CA

2004
OnBoard and Awake, public project on 2 LED scrolling displays on the theme of consciousness, exhibited at the University Art Museum, UCSB, and Toward a Science of Consciousness 2004 conference, Tucson, AZ
Empathy Room, Post Gallery, solo exhibition, Los Angeles, CA

2003
The Canal Street Projection Project, public projections, part of the premiere of New Orleans Media Experience, New Orleans, LA
AMODA Digital Showcase, Austin Museum of Digital Art, Austin, Texas

Psy-Geo-Conflux, exhibition, event, conference on Pyschogeography, curated by Glowlab Mulitmedia Arts Lab, visual art exhibit and walk leader, Incidental Tripping, New York city, New York
Day Tripper-TriBeCa, solo exhibition, Tamad, New York, New York
Slowtime?........:[Quicktime (.mov) as an artistic medium], presented at the new space of "Cinema_B", Cinematheque at MediaCentre -->Le Musee di-visioniste"
Originate, exhibition, Refocus Now Gallery, London, United Kingdom
Artists project for SiteStreeton-line journal, Arthur Aghajanian and Eric Beltz, eds.
OnBoard, electronic sign board, two projects, UCSB
Project MOBILIVRE-BOOKMOBILE, New York, Philadelphia, North Carolina, Georgia, Louisiana, Arkansas, Missouri, Iowa, Wisconsin, Illinois, Michigan, Ohio, Massachusetts, Quebec, Nova Scotia, Ontario, Alberta, British Columbia, Washington, Oregon, California, Utah, Nevada, Indiana- over 60 cities across the United States and Canada

2002-3
TV or Not TV, LA Freewaves 8 Biennial Celebration of Experimental Media Arts, video billboard project, on three boards throughout Los Angeles

2002
Dry and Cerebral, curated by Habib Kheradyar, The Stray Show, Chicago, Illinois,
Relative Objects, Post Gallery, Los Angeles, CA,
Artist project for Half Witno.2, edited by Bakken, Merk, Waardigheid, Holland
Majority Rules, organized by Tara McDowell and Letha Wilson, Free Gallery, Glasgow, Scotland
Clean Surface.org, an international in scope web site based in Australia, survey of recent non-sanctioned public work
International Velvet, animation web project, ubu.com, curated by Kenneth Goldsmith
Transmissions, bus bench postings series, Los Angeles, CA
Roden Crater Disc, commissioned multiple for Jessica Irish and Stephen Metts

2001
Billboard Project, I Want To Love You commissioned by G. Zone, the intersection of Sunset and Hollywood Boulevards, Los Angeles, CA
Ephemeral, curated by Patrick Merril, W. Keith and Janet Kellogg University Art Gallery, California State University Pomona
Artists Writing Reading Room III, curated by Annetta Kapon, Side Street Projects, Los Angeles, CA
Saturation, curated by Ryan Hill and Kyungmi Shin, The Project at the Brewery, Los Angeles, CA
Artists project for LOG Illustratedissue 12, The Dirty Dozen Pink and Blue Number, edited by Tessa Laird and Gwynneth Porter, LOG Illustratedis the journal of The Physics Room art space in Christchurch, New Zealand

2000-1
International...National...Regional...Local Love, bus benches series installed throughout Los Angeles

2000
Downtown, curated by Joy Silverman and Karen Atkinson, historical survey of artist initiated projects in downtown Los Angeles over the past 40 years, Side Street Projects, Los Angeles, CA
Detours: downtown, curated by Jane Jenny, site specific outdoor installation, Side Street Projects, Los Angeles, CA
The Last Wave, E.54, Emigre Magazine, an exhibition in form of catalog/publication
Continuous Fiction, Waiheke Community Art Gallery, Waiheke Island, Auckland, New Zealand
The Four Conditions of Transformation Through Time, dynamic text project on Site Streetweb journal, Travel Issue, edited by Kaucylia Brooke and Jody Zellen
CAFinated, Contemporary Arts Forum, Santa Barbara, CA
Ghost Machine, a print/internet exhibition, Arizona State University
The Ghost Machine Print Project, Harry Wood Art Gallery, School of Art, Arizona State University, Tempe, Arizona
Ghost Machine, 28th Annual Southern Graphics Council conference, held at the University of Miami, Florida
Swap n Shop, A.K.A. NewTown, live event 3/00 and curated exhibition of multiples 4/00 Pasadena, California
Meta-Talk #3 Stabilize..., street posting series, Los Angeles, San Francisco, CA

1999
Artists Project for X-Tra magazine volume II, issue 4, edited by the
Editorial Board, published by Ellen Birrell & Steven Berens, summer 1999
Maps, curated by Chloe Ziegler at Coppos Films, Los Angeles, CA
Sonopticon, a live 24 hour event of light and sound collaborative installations sponsored by The Foundation For Art Resources (FAR), Action:Space Gallery, Los Angeles, CA
Untitled (4 Kathy, Bob, Christine, and where they all speak together), artists visual project commissioned for in Terminals2, edited by Victoria Vesna and Connie Samaras, (T2 consists of a book, web site and CDROM, (also pagedesign for book project)
Wherever you find it, commisioned artists project jewel case for the Foundation for Art Resources (FAR) 20th anniversary archive CD-Rom, concept, design and limited edition printing

links
ghostmachine.asu.edu
www.sidestreet.org/sitestreet
www.le-musee-divisioniste.org/mediacentre

contact

Kate Armstrong

CANCELLED